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“Singers
Scott Belluz and Carla Huhtanen inhabit their roles completely and
seamlessly overcome the many technical challenges in the
contrasting musical scores…these have to be the bravest vocal
performances we have seen in Toronto this year.”
John Terauds, Toronto Star, 2010 - Orlando/Lunaire with Opera Erratica
(read full Toronto Star review here)
“Countertenor
Belluz, obviously gifted,
was impressive in the lyrical Handel excerpts.”
Ken Winters, Globe and Mail, 2010 – Orlando/Lunaire with Opera Erratica
"Countertenor
Scott Belluz commanded a full, rounded tone and
clearly relished the role of the elegant, eerie Shadow."
Christopher Hoile, Opera News Online, 2009 - The Shadow with Tapestry
New Opera
"Belluz
played the Shadow as an imperious, slightly campy character. He was the
guy who crashed the party with the ugly truth, and had a great time doing
it. So did all of us, watching him."
Robert Everett-Green, The Globe and Mail, 2009 - The Shadow with Tapestry
New Opera
"The
most successful of the comedies is Taylor Graham and William Rowson’s
The Virgin Charlie...Belluz and Krisztina Szabó make a great couple, delivering
notes of comedy,
irony and real feeling during the 15-minute piece."
Jon Kaplan, NOW Magazine, 2009 - Opera to Go with Tapestry New Opera
"Canadian
countertenor Scott Belluz shone as one of the suitors."
Richard Covello, Opera Canada, 2007 Il Ritorno d'Ulisse in Patria with
Chicago Opera Theatre
"Countertenor
Belluz gave a bravura performance in the evening’s most charged work.”
Jon Kaplan, NOW Magazine, 2007 - Opera Briefs with Tapestry New Opera
"I
enjoyed especially the first item, Kagel's Tango Alemán, 'a pathetic story'
told in an imaginary language by Scott Belluz with great aplomb as he
strutted around the stage."
Peter Grahame Woolf, Musical Pointers, 2001
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