Photo by Michael Cooper

“Singers Scott Belluz and Carla Huhtanen inhabit their roles completely and
seamlessly overcome the many technical challenges in the
contrasting musical scores…these have to be the bravest vocal
performances we have seen in Toronto this year.”
John Terauds, Toronto Star, 2010 - Orlando/Lunaire with Opera Erratica
(read full Toronto Star review here)

“Countertenor Belluz, obviously gifted,
was impressive in the lyrical Handel excerpts.”
Ken Winters, Globe and Mail, 2010 – Orlando/Lunaire with Opera Erratica

"Countertenor Scott Belluz commanded a full, rounded tone and
clearly relished the role of the elegant, eerie Shadow."
Christopher Hoile, Opera News Online, 2009 - The Shadow with Tapestry New Opera

"Belluz played the Shadow as an imperious, slightly campy character. He was the guy who crashed the party with the ugly truth, and had a great time doing it. So did all of us, watching him."
Robert Everett-Green, The Globe and Mail, 2009 - The Shadow with Tapestry New Opera

"The most successful of the comedies is Taylor Graham and William Rowson’s
The Virgin Charlie...Belluz and Krisztina Szabó make a great couple, delivering notes of comedy,
irony and real feeling during the 15-minute piece."
Jon Kaplan, NOW Magazine, 2009 - Opera to Go with Tapestry New Opera

"Canadian countertenor Scott Belluz shone as one of the suitors."
Richard Covello, Opera Canada, 2007 Il Ritorno d'Ulisse in Patria with Chicago Opera Theatre

"Countertenor Belluz gave a bravura performance in the evening’s most charged work.”
Jon Kaplan, NOW Magazine, 2007 - Opera Briefs with Tapestry New Opera

"I enjoyed especially the first item, Kagel's Tango Alemán, 'a pathetic story' told in an imaginary language by Scott Belluz with great aplomb as he strutted around the stage."
Peter Grahame Woolf, Musical Pointers, 2001